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On May 23, 2002, U.S. Customs Service and the Arizona Department of Public Safety served a search warrent at the Scottsdale offices of C. P. Direct, manufacterers of a penis enhancement pill called "Longitude." Before the bust, C. P. Direct had sold more than $74 million worth of pills that it claimed would enlarge penises. What prompeted the authorities to focus on the company was fueled in part by the company’s refusal to provide promised refunds to unhappy customers and fraudulent credit card billing practices. Most customers who called the company’s toll-free line seeking to stop automatic monthly delivery of the product or to demand their money back, were unable to get through, and those who did were promised refunds that were never sent. What is significant about the case of C. P. Direct is that they are the first of the big penis enlargement pill to be put out of business. Although some say that C. P. Direct would still be in business had they not engaged in fraudulent credit card billing, their demise is a clear warning to the penis pill companies that authorities will no longer tolerate the fraud and deception that is so previlant with many of them. Good riddance! homemade penile enlargement cheap penis enlarement pills herbal penis enlargment pills does penis enlagement work elargement free penis pills sample surgical pennis enlargement surgical penis enlargement vimax penis enlargement patch

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Jan 21st 2006 Exactly 3 years from today I died. Then I was just another teenager, blinded, seeking direction, thirsty for knowledge, beautiful things, all the time holding hard a rope that directed me in the good and the bad. It wasn’t suicide, or normal biological death. To be completely honest, I do not know what kind of death it was, why I died, nor was there anyone or anything that caused it. All I know is that I died, and with me died the little teenager, the blindness, those insecure illusive directional arrows, and the hard rope broke. The thirst for knowledge and the beautiful things remained there forever. I daresay they became stronger, deeper, and somehow sucked the contrast, tone and values away from everything else imaginary. Even from death itself. I still remember vague sequences from that sad day for the people who knew me. It was raining. The sky, or something that looked like one, had gray nuances and the wind deformed softly their empty eyeshades, freezing their sad numb faces and bringing tears of sorrow. For me was completely different. I felt secure watching my coffin surrounded by people. By people... And as everyone cried I felt for the first time happy, somehow… I cannot never explain it fully how I really felt. Is it right to feel happy when someone dies? And when you see yourself inside the tomb, should you smile? What would ‘the world’ say? Does that make me evil? I remember that I left them for a while doing their own rituals… Suddenly it became dark, very dark, and I also remember myself not being scared, but surprised. I was always being told that in the end, if you’re a good person you’ll see only white. Again, I thought: ‘Was I a bad person?’ Part 1 – God Is Evil I started walking, maybe for a very short time, until I saw three doors. I stared at the first one. It said HEAVEN. I open it and enter inside. The first thing that catches my attention is a priest. I cannot see his face, but I do not think too much detail of this is needed anyways… He is holding a child in his lap and apparently is playing with him something. A new game, I think, because I cannot recall memories of myself when I was much younger playing with sexual organs and other’s genitals. The priest’s voice started to get louder though, and the kid did not seem to be having much fun. I stepped forward; they both saw me. I simply looked at them. The priest covered his face, ‘God forgive me!’, and run. I didn’t bother, just continued walking, thinking about the priest my good catholic parents had hired for my funeral… On another corner lay a dark colored man and, believe it or not, sitting on a chair there was Jesus Christ talking to him. Up in a big golden throne was God. I walked up to them, but I did not say anything to Jesus. Apparently, since the first moment I was dead, the being I dedicated my whole short life seemed to me just an emotional poet who sacrificed everything for human literature. ‘Hello, my son. Welcome home!’ ‘Why did you kill me God?!’ I said simply. My question surprises the other man and as he stands up he asks: ‘Yeah! Hey God, I never asked you… why did you let me die too? You are evil god!’ ‘My good son… You were praying while TITANIC was taking you deep down the pacific. You should have swim. I gave you your brain so you can learn how to swim! You are an ignorant fool!’ ‘But… but… I thought that you gave me my brain, my body, my whole life so I can believe and follow your path.’ God is quiet. After a while he smiles and answers: ‘Forget about that. Now you are here with me.’ I look at the man indifferently: ‘That is right. You can wonder all day in the magnificent holy fields of Heaven, listening to quiet and peaceful beautiful melodies; no more stupid people from whom you can get second hand smoke. Now you are going to enjoy Eden’s fresh air. Give it a try and maybe you will find Led Zepplin here.’ ‘Wow! That sounds cool! Hey God, is that true?’ ‘Yes, my son’ comes his voice. ‘Thank you father! I had always faith in you. Bless thy word, the Holy Spirit and…’ ‘But there is no more sex.’ I add with a diabolical smile. God gives me a look that can make even the devil run away… and then says to the man: ‘Sex is for the animals like the Devil. Animals are only good for food, plus they evolve. Did you know that catholic priests and nuns are not allowed to reproduce or get married?’ I give another smile to these words. God raises his voice more. ‘They are devoted to me, so I shall give them peace here. If you carnal pleasure I will send you in Hell to the Devil. There is the place for it, and that is like going back to life. Misery! He is very evil for every good thing that he gives to you! Always! Come on my son (God winks at him) you have been living in earth for 32 years…’ As God finishes the man becomes sad and all I can hear are the words ‘GOD YOU ARE EVIL!’ I walk away. I know I will not find any answers here. Part 2 – Other forms of religion are evil The second door opened easily as the first one. On the golden placate was written ‘Allahu Akbar*’. I enter and I see two silhouettes talking quietly inside a cave. ‘I am sorry Mohammed. I’ve been bad, a cheater, killer, liar, evil… Forgive me.’ ‘I’m sorry, but it is up to Allah to decide’ (crying; murmuring the Kuran) ‘By the way, your niece, I heard, is posing “artistic” nudes for the GC!’ The other guy gets very angry and starts to scream. ‘And I thought you were the Good One! But you are evil too! Allah, Allah…’ ‘Please, estakfurulla, bismilah… I just mentioned a fact, just to open a conversation, you know, until he comes for your final judging.’ ‘Okay, okay. I am sorry Mohammed, but you are a little bit evil; just a little bit. (He shows his pinky’s nail) ‘Most of us Muslims live in poor countries; we have to grow to grow beard even when it’s hot; our women have to be covered in black head over heels. They are never independent. Sometimes we beat them up to death just for showing without consent their lips in public when they eat. They do not say anything. And what’s this mental tradition of cutting the skin of the penis? It hurts man… And not to mention the 5-times-a day- praying. Come on! (Whispers in the others ear) Did you know that Christians, Catholics and others pray to their God only once a day, usually, before they go to sleep? I kind of envy them…’ ‘Are you questioning Allah’s rules?!’ ‘No, no! I’d be evil to do that, I accept everything for Allah’ ‘Then are you being evil to yourself?!’ he asks. The other does not answer just bites his dirty nails. ‘How many wives does He allow you now?’ the questioning continues. ‘Only four. He took my other four because he said I did too much killing’ The person who was questioning before looks around once or twice and says: ‘That’s kind of evil if you think about it. You’ve got to have fun once in a while, you know… That’s what females are made for…’ I smile and leave as they continue to talk. Part 3 – Humans are evil There it is. The last door… It looks beautiful and seductive from the outside. It doesn’t have a name. I wonder why… To my surprise I do not see anything else except a very artistic, big, blood on canvas painting of The Universe and some kind of book. I get closer to admire the many colors** and the beautiful red tones used. It was amazing and it opened my eyes even more. The details were stunning. People Killing Cheating Lying Stealing Committing adultery Taking advantage Being hypocrites Sexually abusing I look down at the black space, on the corner of the canvas. The signature reads HUMAN. I smile again; this time a more intelligent smile. Suddenly I am reminded of the book. I open it and realize that it is a guestbook. I start to read: ~ People will ignore their misfortunes and their interests when they are in competition with their pleasures. ~ The world is a dangerous place to live, not because of the people who are evil, but because of the people who don't do anything about it. ~ There surely is in human nature an inherent propensity to extract all the good out of all the evil. ~ Men never do evil so completely and cheerfully as when they do it from religious conviction. ~ Death? Why this fuss about death. Use your imagination, try to visualize a world without death! ... Death is the essential condition of life, not an evil. ~ Battle not with monsters lest ye become a monster and if you gaze into the abyss the abyss gazes into you. I cannot stop smiling. I take the pen and write on a blank page with a grotesque calligraphy Human Nature Is Evil Then I sing my name into the infinite list and realize that there is more to come. I close the book and everything becomes white, clear. I am back at my funeral. People are crying sadly. I smile; a diabolic evil smile... penis enlarement excercises prosolution pennis enlargement pills do penis enlagement pills work discount vig rx penis enargement surgeries penis enhancement device vimax enlargement manhattan penis vigrx penis enlagement pill truth about penis enhancement pills

NATO enlargement is doubtless one of the most important issues in NATO-USA relations and in attitude of American politics towards this organization. Therefore, in dealing with American-European relations within NATO, it is impossible to question the issue of enlargement of this alliance. NATO enlargement towards Central and Eastern European states was originally the major project in seconding NATO’s viability. The purpose of the first enlargement round was regarded by the USA in preservation of NATO as a form of military-political cooperation between the USA and Europe and conservation of American influence on European security along with strengthening Western military potential for resistance of possible, even in post-bipolar era, threats from the East. To this end, and also with the aim of overcoming alarm of many European allies as to Russian attitude towards enlargement, American diplomacy took to creation and consolidation in Western-European and American political discourses of idea on additional NATO’s function as an organization focusing on spread of democratic values and institutions and stabilizing internal political situation in member-countries. North Atlantic Alliance as instrument of promotion of democracy and stability was accepted by the European leaders as indubitably necessary. In that way, having ensured Europeans’ consent to such broadened understanding of NATO’s function, the United States consequently brought the conflict with Russia to acceptable intensity level by providing Moscow with “special status” in its relations with the Alliance, which was fixed in Fundamental Act between Russian Federation and NATO, signed in May of 1997. The current article isn’t aimed at complete revealing of all the details of NATO enlargement process but instead focuses on the principal issues of American policy shift regarding NATO in general and its enlargement in particular. While in the early January of 1994 the text of President’s „State of the Union” speech noted that American security will further depend on the US ability to most effectively ensure democratic development of Eastern European states, in this way putting particular emphasis on principal role of NATO enlargement for American interests, in the late 1990s and early 2000s this approach fundamentally changed. When in the middle 1990s there emerged an issue of NATO preservation in new circumstances, the United States regarded their North Atlantic allies as potential assistants in carrying out their military operations worldwide in interests of America. But Washington’s expectations concerning significant military contribution of Allies confronted with a cruel reality. For the USA, 1990s became a period of more intense economic growth as compared to the Europeans. This was attended by fast technological progress, particularly in military industry. At the same time, European Allies shortened their military budgets. Thus, 4,565 million dollars, being merely 13-% rise in American military budget, turned out to exceed total budget of any of NATO allies. By the end of the decade, this trend led to the fatal gap of Europe from the level of American military and technological potential. The Allies, apart from Great Britain in some particular cases, proved simply unable to grant the USA assistance in military operations requiring decent technological level. This gap very soon was revealed in action yet before the launch of second NATO enlargement debate. Thus, among the NATO resources involved in Yugoslav military campaign in spring-summer of 1999, American resources played the principal role: about 60-70% of air force and 80-90% of cruise missiles were American. During anti-Talib operation of autumn 2001 even British contribution couldn’t be compared to American: more than 90% of resources and 95% of advanced technology armaments were supplies by the Americans. American government was aware, already before taking decision on anti-Talib war launch, that there was no chance of reckoning on something more than political support and some complimentary military functions on NATO’s part. The last point demonstrating Washington’s attitude to the enlargement process was elaboration of Iraqi operation implementation scenario in 2002-2003, which didn’t even include NATO as military structure along with a number of minor allies. Among other reasons, this happened because absence of internal accord within North Atlantic Treaty Organization concerning necessity of the operation, firmly advocated by the USA and Great Britain. Consequently, American interest in NATO as a block of military allies in many ways expired. The main mission of the Alliance for the United States now turned into political and back support of American military operations. Such shift of mission caused change of American agenda for NATO. In such circumstances, avalanche-like Alliance enlargement became the most appropriate way of enlargement. Therefore, on Prague summit, the invitations to enter NATO were made to seven states: Bulgaria, Latvia, Lithuania, Romania, Slovak Republic, Slovenia, and Estonia. Many of these states had to undergo a long way at least to reach the level of first-wave entrant states. However, in what concerns political support of American military initiatives, newly invited counties showed their support of American policy right away after Prague summit in discussions, and then in actions relating to Iraq in 2002-2004. Since mid 2002, American political analysts have been growingly talking on shifting NATO’s role from military ally of the United States and instrument of collective protection of Allies’ security into “platform for coordination and facilitation of joint diplomatic actions with the uniformly thinking allies”. Besides, another advantage from mass enlargement of NATO to Easter-European countries was mentioned: possibility for the United States to “concentrate on other regions” after enlargement. 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Gangster rap, or hardcore rap, is generally considered a sub genre of the larger category of rap music, which itself is a subcategory of hip-hop. Gangster rap is differentiable from other rap music in that it makes use of images of urban life associated with crime (Haugen, 2). According to the Encyclopedia Britannica definition of gangster rap, the top four images associated with the genre are violence, drugs, materialism and sexual promiscuity. Gangster Rappers as Defining the Hip-Hop Social Group As the hip-hop movement has gained recognition throughout the United States, it has established itself as one of the fastest growing social groups anywhere. In the late 1990s immediately following the murders of both Tupac Shakur and Christopher Wallace, two nationally known gangster rappers, a propaganda campaign escalated against rap music and the hip-hop culture (Slaughter). Although gangster rap only represented a small percentage of the hip-hop culture at the time, all hip-hop and rap music was instantly stereotyped negatively as being “gangter-like”. Why? Well, this gangster version of hip-hop was the highest selling and most recognized form of hip-hop music among the majority class. And many critics have determined that this is because America is in love with sex, drugs and violence (Whaley). Hip-Hop’s Rejection of Inferior Social Group Status Henri Tajfel, a social psychologist who developed a theory of inter-group relations and social change, argues that members of a social group deemed inferior by a majority class can either accept or reject their inferior position in society. If a group refuses to accept its inferior position in society as just, it will attempt as a group to change things (Coates, 8-9). A large number of hip-hop artists have used their musical lyrics to reject the inferior social status placed upon them by the majority class. The Reconstruction of the Gangster Identity I have found that hip-hop artists use lyrics, both musical and poetic, to redefine the negatives characteristics given to their culture by the majority class, and in the process, reconstruct the gangster identity. By examining these hip-hop and gangster rap lyrics as text, I will show ways in which the lyrics attempt to reconstruct the stereotyped gangster rap identity by examining different views of violence, drugs, materialism and sexual promiscuity. In the end, one tends to wonder: Who exactly are the real gangsters? Violence That the hip-hop culture represents gangster-like violence is perhaps the biggest disputed claim amongst hip-hop artists. In order to disprove this claim, many hip-hop artists have pointed to the violence that exists within the majority social group, and how it leads to violence all over the world. In “Violence”, 2 Pac demonstrates his belief that violence was prevalent long before gangster rap existed: I told em fight back, attack on society If this is violence, then violent's what I gotta be If you investigate you'll find out where it's comin’ from Look through our history, America's the violent one Here, the poet points to American society as “the violent one” and that he has to be violent in order to “fight back.” In “Who Knew”, Eminem showed a similar viewpoint by expressing his belief that violence is a common occurrence in American society, yet not challenged in genres outside of the urban environment: So who's bringin’ the guns in this country? I couldn't sneak a plastic pellet gun through customs over in London And last week, I seen a Schwarzaneggar movie Where he's shootin’ all sorts of these bad guys with an Uzi Here, the poet questions the existence of violence in a country that allows firearms and violent movies. In “Casualties of War”, Rakim blames the United States government, specifically its Head of State, as the group causing the violence in society with their war-like ways: I'ma get back to New York in one piece But I'm bent in the sand that is hot as the city streets Sky lights up like fireworks blind me Bullets, whistlin’ over my head remind me... President Bush said attack Flashback to Nam, I might not make it back In this text, the poet refers to our country’s decision to go to war as an example of the violence that exists amongst the majority social class. In “The Watcher”, Dr. Dre redefines the negative characteristic of violence by pointing to the police force as the source of violence, and therefore, referring to them as “gangster-like”: Things just ain't the same for gangstas Cops is anxious to put people in handcuffs They wanna hang us, see us dead or enslave us Keep us trapped in the same place we raised in Then they wonder why we act so outrageous Run around stressed out and pull out gauges Cause everytime you let the animal out cages It's dangerous, to people who look like strangers Here, the poet accuses the majority class of keeping them “trapped in the same place we raised in” and that the perceived violence is only due to the introduction of “people who look like strangers.” These are examples of how hip-hop artists redefine the image of violence by showing how it exists or was created within the majority social group. Drugs Another common disputed stereotype of hip-hop artists is their use and distribution of illegal drugs. In attempts to redefine this negative characteristic, many hip-hop artists have pointed at the majority social group as the facilitator of drug abuse. In “Justify My Thug”, Jay-Z speaks directly to members of government, raising questions about who has made the availability and use of these drugs possible: Mr. President, there's drugs in our residence Tell me what you want me to do, come break bread with us Mr. Governor, I swear there's a cover up Every other corner there's a liquor store - what is up? In this example, the poet inquires as to why there is a liquor store in “every other corner” of his community. In “I Want to Talk to You”, Nas uses the same approach to challenge the notion of drug distribution by asking his representatives what they would do in his situation: Why y'all made it so hard, damn People gotta go create their own job Mr. Mayo,r imagine if this was your backyard Mr. Governo,r imagine if it was your kids that starved Imagine your kids gotta sling crack to survive Here, the poet claims that the distribution of drugs is not only an effect of the poverty that exists in his environment, but also a means of survival. In “Manifesto”, Talib Kweli actually accuses the government of being the body which allows drugs into the country: Like the C.I.A. be bringin’ in crack cocaine bailin’ out of planes With the George Bush connections, I push Reflection Like I'm sellin’ izm, like a dealer buildin’ the system Supply and the demand it's all capitalism People don't sell crack cause they like to see blacks smoke People sell crack cause they broke In this example, the poet accuses the C.I.A. of flying drugs into the country, and again reiterates the point that it is a means of survival due to the “supply and demand” of a capitalist society. In “Damn It Feels Good to be a Gangster”, the Geto Boys fully redefine the negative characteristic of drug distribution by accusing the President of being a drug dealer, and therefore, a gangster: And now, a word from the President! Damn it feels good to be a gangsta Getting’ voted into the White House Everything lookin’ good to the people of the world But the Mafia family is my boss So every now and then I owe a favor gettin' down Like lettin' a big drug shipment through And send 'em to the poor community So we can bust you know who These examples show how hip-hop artists redefine the image of being drug dealers and users by again pointing to the majority class as the creator of the drug problem in this country. Materialism Hip-hop music is also seen by the majority class as a genre dominated by materialism. Again, artists point back to the majority class in an attempt to redefine this negative characteristic. In “Respiration”, Black Star points to all the wealth surrounding urban areas, and how it absorbs the lower class in materialism, making them want parts of that wealth: Where mercenaries is paid to trade hot stock tips For profits, thirsty criminals take pockets Hard knuckles on the second hands of workin’ class watches Skyscrapers is colossus, the cost of living Is preposterous, stay alive, you play or die, no options Here, the poet talks about various materialistic aspects of the majority class, and how the lower class must “play or die” to “stay alive.” In “All Falls Down”, Kanye West actually blames this materialism on American society: It seems we living the American dream But the people highest up got the lowest self esteem The prettiest people do the ugliest things For the road to riches and diamond rings In this example, the poet blames the “American dream” for materialism, saying it causes people to “do the ugliest things” for “riches and diamond rings.” In “Los Angeles Times”, Xzibit also blames this materialism on the majority class, claiming that is what the youth are taught coming up in urban environments: Welcome to L.A. Where you can see the whole city burning Cause the cops got Uzis and the dealers keep serving And your kids ain't learning it, except this Sex power and wealth, forget everything else Here, the poet expresses his belief that certain aspects of materialism, including “power and wealth” are taught to children through occurrences in society. These are examples how hip-hop artists redefine the negative characteristic of being materialistic by showing examples of how this materialism is prevalent in the majority class, and often created within that class. Sex And the final debated stereotype of the hip-hop social class is that they are sexually promiscuous, often leading to disrespectful treatment towards women. The poets also attempt to redefine this stereotype by blaming the core of the problem on society. In “Pussy Galore”, the Roots claim that the country’s obsession with sex is pushed by sexually-driven marketing campaigns: Lookin' out the limo window up at the billboards 200 miles, she was the only thing I saw Promotin' everything, from the liquor to the nicotine Cell phones, anti-histamines, chicken wings You gotta show a little skin to get them listening For real yo, the world is a sex machine In this example, the poet retells a personal experience in which he saw sex advertisements as “promotin’ everything.” And in order to “get them listening”, he claims, “you gotta show a little skin.” In “Get By”, Talib Kweli blames this sexual obsession on what we view on television: The TV got us reachin’ for stars Not the ones between Venus and Mars, The ones that be readin’ for parts Some people get breast enhancements and penis enlargers Here, the poet expresses his belief that television creates a misconception of what people should be sexually, and that contributes to the promiscuity that is being blamed on the hip-hop movement. Hip-hop artists have used their lyrics and poetry to influence the rejection and reconstruction of the gangster identity that plagues their social class. This is accomplished through the redefining of negative characteristics assigned by the majority class. In most cases, these redefinitions include pointing to the majority class as the real holders of these negative characteristics. The redefining of these “gangster-like” images through hip-hop lyrics helps to reconstruct the gangster identity by questioning “gangster-like” behaviors and which social class actually has these behaviors. So the question presented is: Who exactly are the gangsters? Works Cited / Discography 2 Pac. 2Pacalypse Now. Jive Records, 1991. Black Star. Mos Def & Talib Kweli are Black Star. Rawkus Records, 1998. Coates, Jennifer. Women, Men and Language. Longman Publishing, New York: 1993. Dr. Dre. The Chronic 2001. Interscope Records, 1999. Eminem. The Marshall Mathers LP. Interscope Records, 2000. Geto Boys. Uncut Dope LP. Interscope Records, 1999. Haugen, Jason. “‘Unladylike Divas’: Language, Gender and Female Gangster Rappers.” Popular Music and Society: December, 2003. Jay Z. The Black Album. Def Jam, 2003. Kanye West. College Dropout. Roc-A-Fella Records, 2004. Nas. I Am. Sony Records, 1999. Rakim. Don’t Sweat the Technique. MCA Records, 1992. Rawkus Records. Lyricist Lounge Volume 1. Priority Records, 1999. Slaughter, Peter. “Attack on Rap Music.” Barutiwa Weekly News. June 14, 1997. Talib Kweli & DJ Hi-Tek. Train of Thought. Rawkus Records, 2000. Talib Kweli. Quality. Rawkus Records, 2003. The Roots. Phrenology. MCA Records, 2002. Whaley, Angela. “Hip Hop is Not for Sale.” Colorado State University’s Talking Back: Volume 3, Issue 1. Xzibit. 40 Days and 40 Nights. 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